Dig ‘in: Jetstream Pony, Modern Nun
Check out what the No Wristbands team is listening to and what’s in our show calendars this month on our latest Dig ‘in.
INCOMING
UPCOMING
Lomelda
Where: Lincoln Hall / Directions
When: January 20, 7:00 PM
Compared to modern day disconnection driven by the impersonalization of technology, Lomelda’s Hannah Read experienced a more traditional alienation associated with a small town, sheltered upbringing. Her religious rearing factors in her admiration for artists such as Sufjan Stevens and Low, and certainly each of them share a very personalized and stark portrayal of existence through their music. In Read’s case, no more so then on Lomelda’s last record, Hannah, which strives for self-discovery and a reconciliation of how her life has been shaped in relation to how she desires to be fully formed. All of which points to continued growth for this band that isn’t content just to be satisfied. -Bruce Novak
Courtney Barnett
Where: Chicago Theater / Directions
When: January 23, 7:30 PM
Courtney Barnett took a reverse route to the Chicago festival circuit—debuting at Lollapalooza in 2014 in an early afternoon slot before an enthusiastic but compact audience before capturing a headlining gig at Pitchfork in 2018 where she and her band tore through an adrenaline-fueled set befitting of such an elevated status. True to its title, last year’s Things Take Time, Take Time is a more leisurely and meditative musical approach for her that captures her interpersonal musings during a period where she had ample time to sit and think (or maybe sometimes just sit as she’s previously confessed). With stasis giving way to inertia in a renewed manner, expect Courtney and crew to pull out all stops for this tour as I’ve yet to see them on a stage that they didn’t utterly command. In these times of uncertainty, that’s something that I’d surely take to the bank. -Bruce Novak
The Beths
Where: Metro / Directions
When: January 28, 8:00 PM
In my mind, I always perceived a sense of easiness to Elizabeth Stokes’ songwriting—with her proclivity for producing catchy riffs and buoyant melodies. Turns out that’s far from the case as Stokes describes needing to put herself in an agitated state of mind to write and having struggles over chord choices. She does seem to be in lockstep with her fellow Auckland bandmates, especially co-guitarist Jonathan Pearce, who’s produced and engineered all the band’s recordings thus far. She’s also noted that her initial introduction to creating music as a trumpet player provided her with a focus on rhythm and melody that readily surface in the group's songs. When I first saw the band perform live at Beat Kitchen in October of 2018, they were riding the wave of their debut long player, Future Me Hates Me, and increasing rotation play from the likes of Sirius XMU. In 2020 they followed up with Jump Rope Gazers that’s further solidified their following in the States and led to opportunities like this to perform on increasingly bigger stages. -Bruce Novak
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We recommend listening along over at our Spotify page. Here’s this week’s content: